Dec 5, 2009
"The Alzheimer's Project"
I'd really recommend it to anyone interested at all in the illness' profound effects. "The Alzheimer's Project" is a four-part series broadcast on HBO that gives a realistic look into the the lives of various individuals suffering from Alzheimer's disease, and it sheds light on family members forced to cope. Two installments of the film won Creative Arts Emmy Awards in 2009. If you're interested in watching a show or two, click this link for a free view.
One particular portion is narrated by Maria Shriver, whose father Sargent Shriver suffers from the illness and inspired her to co-executive produce the series. She narrates "Grandpa, Do You Know Who I Am?" which is targeted for a younger population of children and teenagers.
It's critical that such political figures continue to take active stances in the fight for more disease research and enhanced public awareness. Although this film may not have painted the prettiest picture of the disease's impacts, it certainly gave me chills - a true education.
Dec 4, 2009
"The Play's the Thing": Stanford's Bing Nursery School

Dec 3, 2009
Chromosome Research Suggests Exercise Fights Aging: The Immortality Enzyme
Telomeres are structures at the end of chromosomes, which shrink over time. As one of these DNA protein complexes shortens, the rate of human cell death decreases, ultimately weakening the body, leading to death. In other words, we could say short telomeres equal shorter lives. If this nebulous concept seems frightening, fret not.
We've all heard before that exercise makes us healthier. We are encouraged to "maintain an active lifestyle." But what does that mean biologically? The study by Dr. Dean Ornish showed that strenuous exercise was related to the maintenance of telomere length, if it is carried out over a long term. By running or exercising strenuously and regularly in the years to come, if you don't enjoy it, you may feel pain and exhaustion. But on the bright side, your body would be releasing an enzyme called telomerase which prevents the shortening of telomeres and improves the health of your cells. Hence this enzyme has been appropriately named the "immortality enzyme," whose discoverers won the Nobel Prize in medicine. So if you are willing to make this “comprehensive lifestyle change,” you will reap the rewards of a longer, healthier life.
Dec 2, 2009
From Miley to Meryl: How the Media's Role in Society Shapes Views on Age and Aging in Pop Culture
September 2005. As studios gear up for the launch of their fall movie campaigns, two movies face off, released on back-to-back weekends. One stars Jessica Alba, 24-year-old Hollywood actress, ubiquitous tabloid magnet, and perennial member of the list of the top ten most googled celebrities. The other is a star vehicle for a then 43-year-old Jodie Foster. It’s a perfect matchup of the generations, as each female lead goes head to head at the box office to see who can draw the largest crowds. The answer seems obvious— the hot young star is sure to draw more theatergoers from our youth-obsessed culture than some middle-aged actress past her prime. Yet when the box office figures are released, the money, as always, gets the final word. Foster’s Flightplan garners nearly $90 million in ticket sales among American audiences, more than four times the paltry $18.8 million Alba’s Into the Blue reels in. Any American super-market shopper can remember the omnipresent and now infamous shot of Alba clad in her blue bikini plastered on the cover of numerous magazines as part of the movie’s aggressive marketing campaign. So how is it that Foster—with no stellar bikini shot backing her up—was able to lure more than four times the audience of the actress nearly half her age?
We have entered a new era of American culture, one that reveals an interesting contradiction in our attitudes and beliefs about age in the entertainment industry. We have heard the endless Hollywood horror stories about actresses hitting thirty and getting caught with the first stretch mark or wrinkle that pops up screaming, “Expiration date is fast approaching!” The perpetual image of young stars on magazine covers and blogs adds to this impression that youth is the driving force of the American media. Analysis of economic data—from salaries, to box office figures and record sales—tells a different story, however, one that suggests that older celebrities truly succeed in bringing in the audiences and the cash.
Before exploring perceptions of age in American media, we first must examine the broad reasons why Americans are perpetually accused of being a youth-obsessed culture. Throughout the past several decades, however, this youth obsession has appeared in American culture to varying degrees. In order to fully grasp the factors that influence the changes in American fascination with youth, we must scrutinize each generation’s relationship with the media. As the media’s form, as well as its role in American society, evolves throughout the decades, so too do the ages of its most prominently featured figures. Yet while attitudes about age may change from generation to generation, our culture’s obsession with youth will always remain inherently rooted into our national identity, manifesting in different ways overtime.
The Terminal Perpetuation of Masculinity
The press praised his struggle against terminal lung cancer–his “uphill struggle,” his “aggressive chemotherapy”–as the battle of a legendary hero (“Peter Jennings”). They stood, misty-eyed, in awe of his “realism, courage and firm hope” because he lived his last months with the same strength and independence that had made him famous. In the press’s eyes, ABC news anchor Peter Jennings was a man to salute. He was tough, a fighter to the bitter end. His knowledge was his arsenal, his assurance an indestructible shield. And in farewell tribute to a man of all men, the world knelt its respect to an exemplar, a fallen hero. Peter Jennings: a true man unto death.
The media glorified Jennings’ masculinity, chiseling his life’s legacy in stone. They defined his life heroic by his adherence to masculinity’s norms: winning, emotional control, dominance, self-reliance, the primacy of work (Kahn 143). However, his terminal prognosis seemed a direct refutation of this masculine tradition. Terminality implied that he could no longer dominate, that his strength was to no avail. It stripped him of his ability to work and his power to control, forcing him to depend on others for his care. Finally, it damned him with the knowledge that he would lose the fight for his life. And the world celebrated Peter Jennings. They celebrated him because he fought. They celebrated him because he stood strong. They celebrated him because he kept the dignity of an untouchably, unfailingly masculine man.
Peter Jennings’ media coverage illustrates that popular culture honors perpetual masculinity. Media and literature hail such a controlled, strong and dominant man as a paradigm of the real-man tradition. If he deviates from this masculinity at any time, the public identifies the deviation as a loss: he has moved away from the man he once was. Thus, masculinity is to keep its dominant status through a terminal prognosis.
Even as terminal illness strips men of their traditional dominance and control, media and literature pigeonholes their terminally ill subjects into the masculine norms of healthy men. Its viewers take the popular images as the norm to emulate, and when the terminal prognosis comes, these norms of emotional control, dominance and self-reliance can hinder a man’s end-of-life closure and care. The gay man’s emotional openness about terminal illness offers a counterpoint to terminal masculinity, a different point of view that may help ease the last journey.
Beyond Party Lines: Millennials Revolutionize American Politics
The Millennial Generation. The first generation to grow up with the Internet, widespread cell phone usage, and Facebook. A truly "plugged-in" generation. Some people claim that Millennials (b.1982-2003) think of nothing but themselves and how many text messages they have received in the past five minutes. As unimpressed psychologist Jean Twenge puts it, "Millennials are the most narcissistic generation in history." Surely, today's self-obsessed youth, with their ipods and compulsively updated Twitter accounts, have nothing in common with their civically-focused grandparents and great-grandparents, those people who gracefully saw the nation through the Great Depression and World War II--right?
The Enlightenment: To Be Asian or Not To Be Asian...Or To Be Both
The author Mei Ng in her semi-autobiographical novel Eating Chinese Food Naked paints an interpretive masterpiece of the archetypal story of the Chinese immigrant youth’s ‘coming-of-age’ experience—of children rebelling from the overbearing familial unit in favor of independence only to realize how profoundly their Chinese values constitute their identity. The protagonist’s family emigrates from the “Middle Nation” to the poor, immigrant-ridden Chinatown in New York City where they open a Laundromat and raise three children. Franklin and Bell try to raise their children—Van, Ruby, and Lily—according to Chinese familial values in the fact of American pop culture. While Ruby initially embodies this Prodigal Son model, her brother Van personifies the opposite by hastily running away from his family without one final remark or afterthought. Eating Chinese Food Naked portrays the rainbow-like spectrum of responses to this stringent structure of Chinese value development suggesting that immigrant children can epitomize overarching bridges connecting Chinese and American society. Ruby’s struggle to formulate her identity when barraged with the seductive American culture opens her eyes to the three models of acculturation and receptive to her familial values. Mei Ng focuses on the protagonist’s liberal, sex-starved promiscuity typically denied in her conservative parents’ ascetic discipline to embody the true Chinese immigrant child: one who builds bridges between two worlds.
Dec 1, 2009
Lingering Sexism: Teenage Girls and Contemporary Female Portrayal in Gossip Girl
In the most recently completed season of the CW’s teen drama Gossip Girl, we witness socialite teenagers from the Upper East Side of Manhattan take on outsized roles – consequently developing into models for adolescent girls. The female protagonists Blair and Serena portray a range of gendered behavior: feminine conventions and stereotypes, divergences and scandals. Gossip Girl is put under a controversial spotlight for its explicit sexuality, but a more insidious aspect of the show is its ability to tear apart gender stereotypes, but subtly put them back in place. Presentations of gender by the media, as we will see, cultivate adolescents’ attitudes about how they should behave as females. Even though television shows allow female characters to take on less traditional roles – breaking the girl stereotype by being agentic, assertive, and authoritative – they trap them in residual conventions of femininity, as seen through Gossip Girl.
Learning how to behave as an adolescent in society can be tricky. How are we to act? Who do we emulate? What is our role? Albert Bandura’s social learning theory in psychology argues that we learn behavior from models in our surroundings – actors on the metaphorical stage of life. Models can be real or fictional, old or young, male or female, have a positive or negative impact, or no impact at all. Most often, we model after those within close proximity such as a family member or friend; yet a noteworthy, often forgotten, and incredibly influential part of our environment is our media. Television provides characters as models which attract teenagers and help scaffold their attitude towards gender, giving them a sense of what is customary in society. With adolescents in the United States watching a daily average of three-hours of television (qtd in Walsh and Ward 134), teen dramas are sly vehicles that provide teenage girls with female models of behavior that they are consciously – or unconsciously – aware of.
Centenarians: Beyond Ageism and Beyond Horizons
She wakes every morning on the small island of Okinawa, Japan at 6 A.M. to make her breakfast vegetable miso soup: steaming aromas of revitalization, hardiness, and soy. Taking a stroll or working for a couple of hours in her garden, she spends her early mornings with habitual vitality. At noon, she greets her family with arms waving over her head as she shouts, “Genki, genki deska?” (happy, are you happy?). She has lunch with her daughter and she dances to Japanese folk music with her granddaughters in her navy blue kimono. Sometimes she works at a local market selling oranges to tourists. Other times she gossips and drinks tea with her friends and family. By nightfall, she prepares a vegetarian dinner complemented with a fine cup of mugwort sake before going to bed. This is Ushi Okushima’s daily routine at 107 years of age.
We have all heard the phrase, “life is short, so make the most of it” but does life really have to be as short as people expect it to be? In Ushi Okushima’s situation, life is the least bit short or boring. Throughout history, people’s fear of the vulnerability of life marked the endless search for the fountain of youth. However, today, the search has shifted to the search for longevity. Since the 1970s researchers, journalists, and doctors worldwide have mused on the longevity of the Okinawan centenarians. Through studies and interviews, researchers have connected centenarian longevity to healthy diet, daily exercise, positive attitude, and cultural roots to the land. When the mystery of the centenarian secrets to longevity finally had been uncovered, popular media, such as BBC, Time Magazine and the New York Times took great interest in sharing to the public the possibilities of living to 100 years. Article headlines such as “Forever Young,” “Secrets of the Wellderly,” and “The Okinawan Way,” and images of Okinawan centenarians engaged in unexpected activities for the elderly—farming in their rice fields, running, dancing, and singing karaoke— have captured the concept of aging and old age in an unprecedented, over-idealized way.
The images, articles, and stories of the extremely old challenge our preconceived stereotypes of the elderly population. The American people in particular have developed an ageist culture where the youth population views elderly people as functionally and cognitively incompetent, dependent, and depressed. Although these negative stereotypes about the elderly population still abound among America’s youth, the publicity of centenarian longevity has begun to break down these ageist barriers. Based off of centenarian studies, journalists apply the success stories of centenarian longevity, through images of health, landscape, and youth, to counterbalance the negative stereotypes of aging. Although popular media romanticizes the aging process of the centenarians, it has commenced a new discussion surrounding the larger importance of longevity versus our negative views and biases of old age. Seen through the Okinawan centenarian model, aging now holds potential for an actual future rather than a timer counting down to one’s death.